Dushyant Arora

A lawyer who writes on courts, politics and cinema.

I also do research for filmmakers and non-profits.

The Room We CarryCollage after Hiroshige’s Moon-Viewing Promontory, a bidri paan box (c. 1700) and a textile fragment (1100s–1300s).DA.26.01 · Sources

Published in.

Eight LeavesCollage after a Pali manuscript (1700s), a cut-paper album page (1625–50) and a peacock border (1600s).DA.26.02 · Sources

Selected writing.

  1. The Distance of a HandCollage after a gouache of a courtesan at her hair, a watercolour of a woman with a pitcher and a Bengal kantha (1800s).DA.26.07 · Sources

    Medical negligence and expert evidence

    The distance between being harmed and proving it.

    I wrote about patients whose cases depend on finding a doctor willing to give evidence against another doctor, and why a rare, large compensation award can tell us so little about everyone still trying to be heard.

    Read it in The Caravan
  2. The Interval Before DawnCollage after Radha’s hair being dressed (c. 1795), a Pali manuscript (1700s) and Hiroshige’s Moon-Viewing Promontory.DA.26.08 · Sources

    The hearing before Yakub Memon’s execution

    When the time left is part of the argument.

    At 3.30 am, the Supreme Court began hearing a plea ahead of Yakub Memon’s scheduled execution at 7 am. I was there. This account follows the arguments, the decisions that brought the case to that night and the questions the hearing left unanswered.

    Read it in The Caravan
  3. A Branch Between ThemCollage after a Hikone chintz (1600s), a Tuti-nama page (c. 1560) and a palampore (1700s).DA.26.09 · Sources

    Main Vaapas Aaunga and Partition

    What a border leaves inside a family.

    Main Vaapas Aaunga moves between 1947 and 2026. I wrote about the way Partition travels beyond the people who lived through it, into how a family loves, fears and tries to protect its children.

    Read it in The Quint

For a commission.

Send me the subject, the publication and the deadline, with any format or word count you have in mind.

Send a writing enquiry
The World Unfolds SidewaysCollage after an inlaid game board (1600s), a river at the forest’s edge (1700s) and a papaya tree (1790s).DA.26.04 · Sources

Authentic KahaniyanAuthentic Kahaniyan

Research for film and television.

I co-founded Authentic Kahaniyan with Chandni. It is where we work with filmmakers on historical and subject research, script review and production references.

About.

A Face in Three BandsCollage after a princess on a terrace at night (c. 1760), a bidri paan box (c. 1700) and Zain al-Din’s thrush and moth (1778).DA.26.12 · Sources

I’m a lawyer, writer and research consultant.

My legal background includes work before the Supreme Court of India. Alongside my published writing, I do research for non-profits and pro-bono work.

Up to the BalconyCollage after a Krishna on a palace balcony (1770s), a taus (1800s) and a peacock border (1600s).DA.26.14 · Sources

Work for the screen.

I contributed additional dialogues to Prahaar.

I’m also working towards screenplays of my own.

Write to me.

You don’t need to have the whole thing worked out.

For a writing commission, non-profit research or another collaboration, send me a short note about the work. Include where it will be published or used, and any deadline.

Research for a film, series or documentary goes through Authentic Kahaniyan.

Room for the First ThoughtCollage after a princess on a terrace at night (c. 1760), Zain al-Din’s thrush and moth (1778) and a ceremonial kantha (1800s).DA.26.15 · Sources

Or start here.

The address to reply to.

A short introduction is enough.

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